Thieves steal crown jewels in 4 minutes from Louvre museum


Law enforcement officials work close to a crane believed to have been utilized in what the French Inside Ministry stated was a theft on the Louvre museum throughout which jewellery was stolen, in Paris, France, on Oct. 19, 2025.

Gonzalo Fuentes | Reuters

In a minutes-long strike Sunday contained in the world’s most-visited museum, thieves rode a basket raise up the Louvre ‘s facade, pressured a window, smashed show instances and fled with priceless Napoleonic jewels, officers stated.

The daylight heist about half-hour after opening, with guests already inside, was among the many highest-profile museum thefts in dwelling reminiscence and comes as workers complained that crowding and skinny staffing are straining safety.

The theft unfolded simply 250 meters (270 yards) from the Mona Lisa, in what Tradition Minister Rachida Dati described as an expert “four-minute operation.”

One object, the emerald-set imperial crown of Napoleon III’s spouse, Empress Eugénie, containing greater than 1,300 diamonds, was later discovered outdoors the museum, French authorities stated. It was reportedly recovered damaged.

Photos from the scene confirmed confused vacationers being steered out of the glass pyramid and adjoining courtyards as officers closed close by streets alongside the Seine. Nobody was damage.

Additionally seen was a raise braced to the Seine-facing facade close to a building zone, since eliminated — the thieves’ entry level and, observers stated, a putting vulnerability for a palace museum.

A museum already below pressure

Eight objects have been taken, based on officers: a sapphire diadem, necklace and single earring from an identical set linked to Nineteenth-century French queens Marie-Amélie and Hortense; an emerald necklace and earrings from the matching set of Empress Marie-Louise, Napoleon Bonaparte’s second spouse; a reliquary brooch; Empress Eugénie’s diadem; and her massive corsage-bow brooch — a prized Nineteenth-century imperial ensemble.

“It is a main theft,” Nunez stated, noting that safety measures on the Louvre had been strengthened lately and could be strengthened additional as a part of the museum’s upcoming overhaul plan. Officers stated safety upgrades embody new-generation cameras, perimeter detection, and a brand new safety management room. However critics say the measures come far too late.

The Louvre closed for the remainder of Sunday for the forensic investigation to start as police sealed gates, cleared courtyards and shut close by streets alongside the Seine.

Daylight robberies throughout public hours are uncommon. Pulling one off contained in the Louvre with guests current ranks amongst Europe’s most audacious in current historical past, and not less than since Dresden’s Inexperienced Vault museum in 2019.

It additionally collides with a deeper pressure the Louvre has struggled to resolve: swelling crowds and stretched workers. The museum delayed opening throughout a June workers walkout over overcrowding and power understaffing. Unions say mass tourism leaves too few eyes on too many rooms and creates strain factors the place building zones, freight routes and customer flows meet.

Safety round marquee works stays tight — the Mona Lisa sits behind bulletproof glass in a climate-controlled case — however Sunday’s theft additionally underscored that protections usually are not uniformly as strong throughout the museum’s greater than 33,000 objects.

The theft is a contemporary embarrassment for a museum already below scrutiny.

“How can they trip a raise to a window and take jewels in the course of the day?” stated Magali Cunel, a French trainer from close to Lyon. “It is simply unbelievable {that a} museum this well-known can have such apparent safety gaps.”

The Louvre has a protracted historical past of thefts and tried robberies. Essentially the most well-known got here in 1911, when the Mona Lisa vanished from its body, stolen by Vincenzo Peruggia and recovered two years later in Florence. One other infamous episode got here in 1956, when a customer hurled a stone at her world-famous smile, chipping paint close to her left elbow and hastening the transfer to show the work behind protecting glass.

In the present day the previous royal palace holds a roll name of civilization: Leonardo’s Mona Lisa; the armless serenity of the Venus de Milo; the Winged Victory of Samothrace, wind-lashed on the Daru staircase; the Code of Hammurabi’s carved legal guidelines; Delacroix’s Liberty Main the Folks; Géricault’s The Raft of the Medusa. The objects — from Mesopotamia, Egypt and the classical world to Europe’s masters — draw a each day tide of as much as 30,000 guests whilst investigators now start to comb these gilded corridors for clues.

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